V

V

V is for viewpoint.

When it comes to writing fiction, viewpoint looks fairly simple at first: Will the story be in first person or third? Single viewpoint or multiple? Even when a story has only one viewpoint character, however, choosing whose viewpoint may require some thought.

In the tales of Sherlock Holmes by Sir Arthur Conan Doyle, the stories are about Holmes, but Watson is the viewpoint character, because Holmes knows too much. Had he been the character through whose eyes we saw events, the author would have had to choose between deliberately withholding information that the character knew about, or destroying the suspense by revealing the solution to the mysteries far too soon. Because the reader sees events unfold through Watson’s eyes, the problem of too much information or not enough is avoided completely.

This is the kind I had with one of my own novels for a while. I had three different characters who had major roles in the story, and I was having difficulty deciding which one made the best viewpoint character. Two of them, though, knew too much about either the story’s current events or past events that affected the current situation. The best choice was the third character.

That character was the best choice for viewpoint for another reason, too: she had both motivation to get involved and the freedom to act. A mistake that some new — and not-so-new — writers make is creating viewpoint characters who would not reasonably be able to take direct action in the events of a story, or who lack believable motivation to do so. It’s no fun to watch a story through the eyes of a character who doesn’t get involved in anything, who only watches from the sidelines. (And why would anyone create a character like that in the first place?)   It stretches the bounds of believability that a monarch would be able to just drop everything like, y’know, ruling their country and go off to pursue personal adventure; that character has power, but realistically doesn’t have as much freedom to act as the son or daughter of a mere baron.

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About Thomas Weaver

I’m a writer and editor who got into professional editing almost by accident years ago when a friend from university needed someone to copyedit his screenplay about giant stompy robots (mecha). Having discovered that I greatly enjoy this kind of work, I’ve been putting my uncanny knack for grammar and punctuation, along with an eclectic mental collection of facts, to good use ever since as a Wielder of the Red Pen of Doom. I'm physically disabled, and for the past several years, I’ve lived with my smugly good-looking twin Paul, who writes military science fiction and refuses to talk about his military service because he can’t. Sometimes Paul and I collaborate on stories, and sometimes I just edit whatever he writes. It's worked out rather well so far. My list of non-writing-related jobs from the past includes librarian, art model, high school teacher, science lab gofer… Although I have no spouse or offspring to tell you about, I do have six cats. (The preferred term is "Insane Cat Gentleman.") I currently spend my time blogging, reading, editing, and fending off cats who like my desk better than my twin’s.
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One Response to V

  1. Pingback: Points of View – On Managing More Than One | joanneeddy's blog

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