What I do: I read the manuscript, doing as much or as little editing as I’m asked to while keeping the author’s intentions for the story in mind. (If you tell me you don’t want me to fix any awkwardly worded sentences in your manuscript, I’ll leave them alone. I’ll grit my teeth and drink more coffee than usual, but I’ll abide by your wishes, because the author has the final say.) I prefer to take a non-invasive approach to editing. I correct spelling and punctuation, and suggest a better word where the one used just doesn’t fit. I point out places where the plot doesn’t make sense or where the story slows in a way that doesn’t seem to serve the overall pacing. I fact-check. Unless the author requests otherwise, I use the rules/guidelines found in The Chicago Manual of Style.
What I don’t do: I don’t rely on any spell checking or editing program; even the best one out there cannot understand the nuances of language the way a live human (or human-like person) can. If you hire me to proofread an otherwise finished manuscript, I won’t run it through Microsoft Word’s spell check and call it done and then charge you $3/page for the work. I won’t give your manuscript the Strunk-and-White treatment or tell you that you must conform to a style guide intended for journalism (the Associated Press Stylebook)rather than for fiction. I will not allow my pet thesaurus to sneeze all over your manuscript. I will not attempt to force my own voice into a story. It’s your story; I’m just here to help you tell it better. (I’ll even refrain from suggesting the use of semicolons if you tell me that you don’t like ‘em.)
What kind of fiction I proofread/edit: I specialize in science fiction and fantasy. I’m willing to look at most other genres of fiction on a case-by-case basis. I will not edit erotica or religious propaganda.
Substantive/developmental editing: Plot, characterization, pacing, worldbuilding: the big-picture stuff. This comes first. If the story isn’t what you want it to be yet, the comma glitches can wait for the final version. I am not comfortable doing this kind of editing on non-SF/F writing.
Line editing/copyediting: Word choice, clarity, narrative voice, overall structure (and a bit of fact checking, too). This is done once the story itself is complete and it’s time to make sure the words say what the author means and that the sentences flow smoothly.
Proofreading: Spelling errors, typos, punctuation, capitalization, etc. I normally combine proofreading and line editing. (Developmental editing is always done separately.)
In addition to a thorough understanding of grammar and punctuation, plus a good ear for the cadences of written English, I have a rather eclectic knowledge base that comes in handy when editing science fiction or fantasy:
I know the difference between bland-and-boring passive writing and the necessary use of to be verbs; there are times when these verbs are the better choice. I’m not afraid of sentence fragments. Love ‘em, in fact. Sometimes, anyway, when they suit the narrative voice. I know that the “Rule of Adverb Avoidance” is both ridiculous and impossible to follow because words like not and however are adverbs, too, but I also know that adding an -ly adverb to the tag for every line of dialogue isn’t good writing.
I know the proper use of semicolons. I know the difference between a kilt and a kirtle. I know that it is, in fact, much easier to hit a person wearing plate armor than it is to hit that same person when they’re wearing light leather. I know that flaxen refers to the color of unbleached linen, not to the color of flax blossoms. I know all the standard uses of italics. I know how to use hyphens. I know that Earth is not the “only planet in the galaxy,” nor even the only one of its type. I know that a telepath can’t turn on a light bulb with her mind (unless she’s also a telekinetic), nor can she see the future.
Rates: My usual rate for combined line editing/proofreading is $4/page (page = 250 words), although I am willing to negotiate on a case-by-case basis.
(In answer to a couple of frequently asked questions: I don’t charge by the hour because it isn’t fair to the author to have to pay more if the editor works slowly, and it isn’t fair to the editor to get paid less for being fast. I don’t charge a flat rate because it’s not fair that an author of a 60K-word novel should have to pay the same amount as the author of a 100K-word novel.)
I offer free sample editing on up to 3,000 words of a novel manuscript.
Contact me by email: firstname.lastname@example.org
There should be testimonials from happy clients somewhere on here, right?
Once upon a time, I edited a ginormous fantasy tome titled In Siege of Daylight. This is what the author had to say (on his own blog) about having me edit his novel.